Showing posts with label Kitty Ives. Show all posts
Showing posts with label Kitty Ives. Show all posts

Thursday, 31 December 2015

The Debt - Part Three on its way



Part Three of the Venus Squared series is on its way.

Here's a snippet from the first couple of pages, to whet your appetite.

The Debt, the circumstances of depravity bemoaned by Angela Elliott

Chapter One - Spring 1770

Spring came hard on the heels of a bitter winter. Covent Garden, ever bustling with commerce, progressed from ice clad to mud-drenched thoroughfare: the cobbles treacherous, the air fogged with noxious poisons. Sundry persons of a rakish disposition trailed dirt through our hallways, thinking nothing of the mess they made, or the season’s damp diseases. Catching a cold though, was the least of our problems, for that winter Lucy Mead acquired the French pox and was forced to leave our house and find habitation in the lowest of the Seven Dials’ kennels.

Although I gave her money for the cure, I think she spent most of it on Madame Geneva. We all live with the dread of this syphilitic plague. In Lucy, it raged fierce and laid her low with ulcerations, such that no man wished to keep her company. Eventually, she could earn not a crust. One morning she walked out and I did not see her again until she appeared on the steps of the milliner’s shop in James Street. Poor Lucy had a hole in her temple and was quite dead.

I should explain: that morning I sent the maid out for pastries, but scarce had she time to turn the corner and fix her eyes on the bakery, than she spied the bloody remains, weighed up the situation and returned home, empty-handed, but with a story of foul murder, full on her lips.
“You must go see, Mistress Ives, for it’s none other than our own Lucy,” said a breathless Christie. “James Street is blocked by on-lookers, even though the constable’s there and calling for the Bow Street Runners and a Magistrate.”

I did not wait for further elucidation; I simply took up my shawl, flung it around my shoulders and strode out to discover what had become of the late Lucy Mead.  

To Read a sample of The Finish, Book One in the series - click here
To Buy click here
To Read a sample of The Surety, Book Two in the series - click here



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Tuesday, 13 October 2015

Who is Kitty Ives?

Kitty Ives is the heroine of the Venus Squared series of books, the first of which is The Finish. In this article I discuss her family background and what brought her to work as a prostitute in London's notorious Covent Garden.

She was christened Katherine Ives, but her father preferred to call her Kitty. She was born in the ancient county of Norfolk, in East Anglia to a farmer and his wife, Joseph and Elizabeth Ives. They had two children, Sophie, born in 1744 and Kitty, born in 1746.

Joseph wasn't a particularly wealthy man, but he loved his family and provided for them as best he could until his middle daughter, Sophie, fell in love with a neighbouring farmer's son. Sadly, this young man was found dead, having been most foully stabbed. Sophie was accused of the murder, but although she was found not guilty, local opinion went against her and she was set upon by a mob, whilst walking from Church. She was dragged through the streets and suffered a thousand cuts and bruises. Sadly, Sophie fell into a decline and died from blood poisoning, brought on by the mistreatment of her wounds.

Quite naturally, the rest of the family were distraught, not least Joseph, the patriarch. He was the next to die, having had an attack of apoplexy. Today we would call it a stroke. This left Kitty's mother, Elizabeth, with something of a dilemma. She had never taken much part in the day-to-day running of the farm. She now had to take up the reigns herself, but in doing so she failed quite miserably to manage the finances and very quickly fell into debt. First the livestock was sold, then individual parcels of land, and eventually the farm house itself. Forced into rented accommodation and living on slender means, Elizabeth Ives found her Kitty employment as a maid in London. Kitty was put on a coach and sent on her way, but once at the coaching inn in London, she was waylaid by an older woman called Mother Shadbolt, who offered to look after her needs and see her safely accompanied to her employer's house.

On the journey across the city Mother Shadbolt fell ill and asked Kitty if she would mind stopping off at her house on the corner of Covent Garden and Russell Street. This of course, was the brothel. Once she stepped over the threshold Kitty was seduced by tales of fine clothes, parties and  riches beyond her ken. Thus, did our heroine fall from grace in quick time.


Kitty was only sixteen years old and had no more desire than to dress in the latest fashion and catch the eye of a handsome beau, and so she was soon persuaded to throw off her employer and remain with Mother Shadbolt, where she was promised her pick of suitors. At first, Kitty was showered with gifts and beautiful gowns and jewellery, but as time wore on and she tired off the life of easy seduction, she tried to leave the brothel and strike out alone, only to find that the clothes she wore were not gifts at all, the jewellery was all paste and she had not a penny to her name.

Now came a time of despondency for Kitty. She fell in with a riotous crowd and ended up being transported to America for the crime of theft. All this is discussed further in The Finish.

You can read all about Kitty's exploits in The Finish and in the subsequent volumes, The Surety, The Debt and The Trade. Collectively, they are called Venus Squared.





Friday, 25 September 2015

The Surety is on its way! Part two in the Venus Squared series

Part two in the Venus Squared series, The Surety, is on its way. I'm just putting the finishing touches to it. Read a bit of it below. You can read The Finish, which is part one here.


Chapter One

Once more accused

It began as the sun rose over our seraglio. On the previous evening, besides a stream of incorrigible lechers, I serviced a Member of Parliament with a penchant for being laid across my knee and beaten until his fundament was quite raw. Thus, I was exhausted, yet I breakfasted in my usual manner, at my table in the window of the parlour, with Lucius, my Blackamore servant, at my elbow. My fellow whores were still asleep and I had just taken delivery of a letter, when a glint of sunlight caught my eye and caused me to look out across Covent Garden. Four military men in close formation, the buttons on their livery reflecting the sun’s rays, marched towards the Great Piazza. They presented a very fine sight, but I dismissed them from my mind until I heard the tread of boots on our stairs. They made such a noise it could be none other than this militia. They burst into my parlour with all the might of an army charging their enemy.
“Mistress Ives?”
The man who spoke was their Officer. Though my parlour was a large room and could accommodate a great many people, these soldiers now occupied the better part of it. I sipped my coffee like a lady and feigned disinterest, while all the time wondering what on earth they wanted with me.
“Orders are to bring you with us.”
“Where?”
“Blackwall Yard, Ma’am.”
“You must convey my condolences to your commanding officer,” I said. “If he wishes for my company, he may come here in the afternoon. I do not make house calls.”
This was not entirely true. For the right price I would travel almost anywhere. The right price however, had not been discussed as yet.
“He was most insistent, Ma’am. We cannot leave without you.”
Oh, but this was so annoying. My morning disrupted. They were not even the King’s soldiers, but those of the… damn it, the East India Company. I was intrigued. These men were destined to lead Sepoy troops in the Far East, and yet they had been dispatched to capture a Covent Garden whore? Whatever next?
“Understand this,” I said. “It will not be a cheap excursion. Lucius?” I beckoned my servant forward.
“Begging your pardon Ma’am. We are to bring you and you alone,” said the officer.
How very irregular. I had grown used to Lucius’s ministrations when abroad in the city. That said, I wished to know more of the man who sent troops to procure my service. He must be very wealthy. The Lord only knew that we needed the money.
“Very well. Lucius, tell Mother Shadbolt I will be gone for the best part of the morning. Watch her closely. I do not want to hear of her dipping her fingers in the purse.”
Poor Mother Shadbolt. In her time, she had taken care of a great many doxies, but with the loss of her establishment on the corner of Russell Square, she had become more than a little disconsolate. We gave her a home with us only because, if we did not, then she would be a wretched, vagrant creature let loose on the streets. Besides, she still had her mind on the money and her blessed Bible. When tested, she would threaten all with that tome. No man would risk her wrath.
I thus accompanied the soldiers to a coach, which had pulled up on the cobbles beyond the portico. I must say, I was quite glad of the excursion. I had spent too long cooped up in my gilded cage - a pretty bird for a pretty master.
We turned into The Strand, and thence onward to the Tower and beyond. We passed along the Ratcliffe Highway, and took in Limehouse and Poplar both. Vessels of all sizes: fishing ships, slave ships, cargo ships, packets and sundry smaller vessels, their masts thrusting upwards into the brightening sky, were much in evidence along the Thames’ bank. Hereabouts, men of all castes and creeds pursued commerce. Cargoes were off-laden; carts rolled the muddy streets; men hauled and heaved, and the sounds and smells were overpowering even for one such as I, used to the noise and aromas of Covent Garden. Fine houses soon gave way to old timber-built properties and low dives, punctuated by inns and taverns. I spied the usual ragged trade: dirty morts with no more than the clothes on their back and a dark hole in which to do the deed. I shuddered. Thank goodness for my saviour, the dark-eyed devil, William Westman. But for him, I too, would be on the street like these sad does.
Eventually, we came to a flat place of marshy fields. The sky was bird-shell blue and the wind gusted warm. Our road cut south for a short distance, through this watery land, past rope and sail-makers, mast-makers and smiths, until we reached the Blackwall Yard (no yard at all but both dry and wet docks, and many sheds where I suppose, honest men labour in the fine craft of ship-building). We drew up alongside one of the sheds, and the officer showed me from the carriage. My feet sank immediately into the soft earth. Why had I allowed myself to be brought here? What foolishness was I engaged upon now?
The officer bid me follow him down a narrow alleyway. This I did, mindful of the mud, which squelched underfoot and threatened to fix me in my tracks. The alley opened onto a yard. On the far side was a low built shed, open on one side and with a sawpit cut into the ground. A rough-hewn man stood at one end of the pit. He looked up as I approached. The briefest of smiles crossed Jim Craddock’s face before he indicated to me to come closer. I picked up my skirts and teetered on the boards lain either side of the sawpit. I looked down. It was empty save for a puddle of water.
“Why am I looking at a hole in the ground?”
I was not best enamoured with my husband, the infamous Bow Street Runner, Jim Craddock. As one of the Sir John Fielding’s foremost detectives, he was party to all kinds of intelligence, and could travel the length and breadth of the country, if needs be, to apprehend suspects. It is not for this reason though, that we had not spoken for nigh on six months. No, it was because of the death of my dear friend Daisy. He thought I blamed him. He was wrong. Even before this though, we did not live together. It was a marriage of convenience, no more.
“I thought you’d want to see where we found him,” he said.
“Who?”
“Come with me. I’ll show you.”
Craddock led the way back across the yard, pushed a door open, and stood aside to admit me. Inside, the atmosphere was redolent with the aroma of wood - sweet, like old wine. Three finely dressed gentlemen, albeit with muddy feet stood around a workbench, while a fourth hung back in the shadows, his features indistinct. Craddock pushed me forward. The men parted to admit my company. A newly dead corpse lay before us. One side of his face was but a bloody mess of flesh and bone. The other was still intact, but was as white as the shroud they would surely soon wrap him in. For a moment I did not know whether I should recoil from the horror or not.
“He’s dead?” I said.
“State the bloody obvious woman. Yes, he’s dead. He was in the pit.”
Craddock placed a hand on the back of my head and forced me to look.
“What were you doing last night?” he said.
“What do I always do?” I hissed. I pushed him away. “You bring me here to show me a corpse? Why? You could have told me when next you snatched your conjugal rights.”
He had not done that in a long time.
“Mistress Ives,” said one of the attending gentlemen. “Are we to understand you can identify this person?”

Sunday, 23 August 2015

What does a book mean to you?

Forget kindle. I mean, don't forget it, but for now, put it out of your mind.

Real books happen on paper, with hard covers, preferably leather-bound. They have ragged edges and, often, a musty smell to them. They occupy library shelves, but not just in any old library. Oh no. They live in big old libraries that have tall shelves and windows with slanting light where dust dances in the rarified air. In a library such as this you will be treated to a magical thing. You will come across buried treasure. You will be transported to other worlds. Sometimes, it happens under the covers at night with a torch in one hand and a book in the other. Sometimes you can be on the noisiest of trains and yet, remarkably, you are lost in another time. Do tablet readers do that? Do they really give you that feeling that you've come across something very special? I don't think so, and yet, we are stuck with them now. Woe betide the demise of the real book.

Today I found the London Bookbinding company and I thought, wow, I wish I could do bookbinding. I wish I could leave this internet fiction of a world behind and get real again. I wish traditional publishing wasn't such a closed shop and we were living in earlier times, where books were physical entities that felt solid in our hands and engendered a sense of wonder.

Of course, you can take courses in bookbinding and there are quite a few companies in London, where I live, that will teach you this old art. Trouble is, it all costs a lot of money. How wonderful though, to have a real live leather-bound book that you've written in your hands. Wouldn't that be worth all the hard work? Wouldn't people want to buy a real solid, fantastic book like this? Of course, it would have to have a fabulous story inside it, and impeccable editing. You cannot splurge out on creating something like this and not have a brilliant story to tell.

Crowdfunding anyone?

Angela Elliott's 18th century tale of Kitty Ives, Covent Garden whore and crime fighter is out now. Sadly, from Amazon etc...